bitchywelder asked: I love the owl... Like good storytelling, it's always nice when you can completely convey the message with the fewest amount of lines :)
Ah thanks. I appreciate that. The owl was part design, part necessity. I had been designing things for years but as I built my shop I realized that most of my ideas really needed a power hammer to complete. (Or a lot of help.) I had to reassess what I could do, considering the tools at hand. It was a great a lesson. I needed to fill half a gallery and I was forced to be creative using simple tools and operations. What the sculpture represents is complex but the production is simple.
This is also why I love making tools. Take hammers for example. There’s really only 3 or 4 operations you use to make a hammer (depending on the style) - punch, drift, fuller, flatter. It’s a simple process but when you’re done you have have an object that fits every academic definition of a sculpture. Beautiful.
Back in 2010 I was lucky enough to able to visit the Zimmermann family studio in Germany. There’s a ton of history and decorative innovation in this shop. I admit I’m partial to modern European design (for metalwork) but I have to say I’m extremely happy that Americans are stepping up. It’s great to see so many people lighting fires. Visiting these types of places can be transforming. You get another perspective not only on the process and the work but also the mentality that drives it.
I got this gem in the mail today. Stahl- Und Metallarbeiten by Fritz Kühn. Unfortunately, it’s no longer in print. The earliest work, from 1939, is partly informed by traditional motifs as you would expect. The body of work from the 40s and 50s is decidedly modern. It was printed in 1959.